Sunday, December 18, 2016

The Development of Denver

Argument: Denver is the true protagonist of Beloved.

Throughout Toni Morrison's Beloved, the narration constantly switches perspective between a number of characters, from Sethe to Paul D to Denver even to the deceased titular Beloved herself. However, despite the alternating perspectives, one could easily assume that Sethe is the main character of Beloved. Several key events center around her and every character has some connection to her. However, I posit that Denver is the true protagonist of Beloved.

Beloved is a novel about time. The novel is constantly flashing back to past events, often with repercussions that stick with them through to the present, specifically in the form of Beloved, who is a constant reminder of the consequences of actions. However, the flashbacks seem to be when Sethe's story happens. Her rape, her escape, going through labor, killing Beloved, all of these key events in her life don't take place in the present-day of Morrison's novel. The present-day of Beloved takes place when Sethe has settled down and has much less worries. If Morrison wanted to write a story entirely about Sethe's adventures, she could've, and just ended it shortly after Denver's birth. Instead, that flashbacks seems to end not long after Denver's birth, making it seem as if it is a set up for Denver's larger story, not Sethe's.

Unlike Sethe, the major problems within Denver's life take place within the present day. At 18 years of age, Denver can't leave the residence and is constantly by her mother's side. She spent a span of time not being able to speak and even when she started to, many of the things she says would probably be preferred to be left unsaid by her family. Her relationship with Paul D, a generally beloved (heheh) character, is very shaky to begin with, with her taking an immediate dislike to the man. Not to mention the fact that her only friend is an unpredictably violent ghost. The conflicts of the present-day novel are almost entirely Denver's making the journey hers.

And it is a tremendous journey. By the end of the novel, Denver is able to not only leave the house but do so with an arguably sunny disposition about her. Beloved is gone, allowing her to make friends with a boy that sent her into a social coma. Her relationship with Paul D improves greatly. Denver goes from a brooding recluse to an outgoing adult by the end of the novel. Sethe, on the other hand, has much less development as a character. Although truth about her comes out and she resolves her issues with Paul D, she has changed little from the beginning of the novel. In many ways, this is actually a coming-of-age novel, regarding how Denver grows through her problems.


3 comments:

  1. I think this is a really interesting perspective of "Beloved" and I definitely agree. Especially towards the end of the book, we see Denver taking over the action in the novel as Sethe fades more and more as a character while trying to keep Beloved happy.

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  2. I totally agree with your perspective. I was struggling to identify the protagonist in Beloved, but after reading the last chapters it became clear that Denver is the protagonist. Though the story may have started with Sethe's stories, it ended with Denver. Like you said, the Sethe's narrative was to set up Denver's story.

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  3. I wish we'd been able to get even deeper into Denver's "coming of age" at the end of the novel in class: there are so many aspects to it, where we can see her development arrested by this haunting past (which she's inherited, but of which she is innocent) quite suddenly transforming into a self-generated effort to get out into the world and engage with it on her own terms, not just as her notorious mother's daughter. There are some pointed ways that Morrison tones down the optimism at the end: Paul D's (unspoken) remark about Bodwin making a "project" out of her, by proposing that she might attend Oberlin; the fact that the Bodwins keep a "Jolly N Bank" in their parlor, even as they congratulate themselves for all their good works to end slavery and help the people who have escaped to Ohio. It's not as if Denver enters a wholly new world, unaffected by the one that shaped her mother--she will have to live out the legacy of slavery no matter what. But there is surprising ground for hope as this dark novel draws to a close.

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